Text Box:  Nigel Hemming Born in 1957, Nigel grew up in the village of Kinver, Staffordshire. From an early age he showed a keen interest           in painting - his rural up-bringing resulting in his choice of wild birds and landscape as subjects for his work. After leaving school at eighteen, Nigel spent a year at Art College before deciding that teaching would be a       suitable career to follow. Despite his abiding passion to paint professionally, he felt that this was a pipe-dream        and that teaching would offer a more realistic future. However, after twelve months studying for a degree                    in education, it was apparent that he was not cut out for the classroom. Taking the bull by the horns, Nigel made the decision that no career could fulfil him other than one in art, so in     1977, at the age of twenty one, he turned professional. Although he saw himself first and foremost as a wildlife artist, Nigel nevertheless realised that, at least initially,       he would need to find a potentially more lucrative subject in which to specialise. With this in mind, in order to      stand any chance of establishing himself as an artist, animal portraits - specifically peoples pets - seemed to        afford him this opportunity. In those early years he would paint any animals requested of him but in time it        became apparent that it was dogs, above all other pets, that were the most requested. In 1982, Nigel married. His new wife, Sue, brought with her a dog and cat. Never having lived with large pets      before, the experience came as a revelation. Nigel's appreciation, not only of dogs, but more importantly                their relationship with us, started to grow. As a result his attitude and approach to his work began to                    change, culminating in a painting entitled "In Retirement". Its combination of pathos, character and narrative,       ensured that it met with considerable popular acclaim. For Nigel it represented a turning point in his career           which ultimately led to his abandoning any serious desire to paint wildlife. Instead he chose to concentrate on          his canine subjects and developed the distinctive style of narrative dog painting that has become the hallmark of        his work today. As he says himself, "I try to paint pictures, not simply of dogs, but about dogs.                                                                  

 

 

 

 

 

 

 

 

 

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